Tag: Jeffrey Allen Price

  • THINK POTATO BANDIT

    Mobile Register, 2005

    18 years ago Jesse Lee Arnold was going around Alabama robbing banks wearing one of my classic Think Potato T-Shirts. He was eventually caught and served 12 years in prison. This bank security camera photo was sent to me by The Mobile Register (they even called to interview me about this! Ha ha ha).

    Jesse Lee Arnold robbing banks in Alabama wearing my THINK POTATO T-shirt design.
    Photo courtesy of the Mobile Register, 2005.
  • We Say Potato At Islip Art Museum

    A brand-new version of our film in-progress THIS IS HOW I SAY POTATO, is currently on view at the Islip Art Museum in the exhibition “Collaboration.” There is an Artist Reception, August 3 from 1-3pm. Thank you to my collaborator Juan Lopez Espantaleon for all the great work on this project so far, and for the installation photo. Also, a huge gratitude to the 100+ participants that have given their beautiful faces and unique languages and accents to this project. I hope you some of you can attend the reception Saturday.

    THIS IS HOW I SAY POTATO film and poster on view at the Islip Art Museum, 2019. Photo courtesy Jeffrey Allen Price.

    The Art of Collaboration curated by Holly Gordon
    ISLIP ART MUSEUM
    at Brookwood Hall, 50 Irish Lane, East Islip, NY 11730
    On view thru August 24, 2019.
    Museum hours:
    Tuesday through Friday 10am – 4pm
    Saturday 12pm – 4pm
    Closed Sunday and Monday


    Related Projects:


    THIS IS HOW I SAY POTATO (2016–Present)


    Related Timeline Entry:


    THIS IS HOW I SAY POTATO 2016 – TPI Timeline Entry

  • POTATOISM on the “Dream a Little Dream” Podcast

    I was featured on Episode 45 of the Dream a Little Dream podcast, hosted by Jessie Taylor. Titled Through The Eyes Of The Potato, the hour-long conversation explored potato art, POTATOISM, the Think Potato Institute, collecting, exhibitions, and the cultural life of the potato.

    Special thanks to Jessie Taylor for the thoughtful conversation and for helping spread the potato message.

    You can listen to the episode here: https://player.fm/series/dream-a-little-dream?v=1781570281

    Update: The podcast is no longer actively maintained and the original audio is currently unavailable. Fortunately, this screenshot survives as documentation of the episode’s existence and release.

  • The Exhibition Ends, the Archive Begins

    Today I dismantled my JamaicaFlux installations after a rewarding three-month run. I am deeply grateful to curator Heng-Gil Han for the opportunity to participate and for producing such an outstanding catalog documenting the exhibition. Shown here are the eight pages dedicated to my projects, along with the catalog cover and expanded flaps.

    Congratulations to all of the artists who participated. It was a pleasure getting to know your work and to see the remarkable range of projects represented in the publication.

    Special thanks to Juan López Espantaleón and Dom Sindayiganza, whose photographs greatly enhanced the presentation of my work in the catalog. I would also like to thank co-curator Kalia Brooks and the Jamaica Center for Arts and Learning for their support, generosity, and commitment to making Jamaica Flux such a meaningful experience.

    While the installations have now been dismantled, the ideas, relationships, documentation, and projects that emerged from the residency continue to grow.

  • We Always Learn Something New About Potatoes

    We always learn something new about potatoes when we film.

    Filming Anna Prikazchikova at Suffolk County Community College. Photo courtesy Camila De La Pava.

    During a recording session for THIS IS HOW I SAY POTATO at Suffolk County Community College, participants shared potato folk remedies and traditions from around the world. We heard about using the steam from boiling potatoes to help relieve colds (Russia), potato slices for skincare and facial treatments (Jordan), and even potatoes reportedly used as diaphragms for birth control (Colombia).

    It was a fun and productive day of filming with participants from Russia, Pakistan, Colombia, Jordan, Turkey, Germany, and the United States. Every recording session added new stories, new languages, and new perspectives to the growing archive.

    Thanks to everyone who participated and to Camila De La Pava for the photograph.


    Related Projects:


    THIS IS HOW I SAY POTATO (2016–Present)


    Related Timeline Entry:


    THIS IS HOW I SAY POTATO 2016 – TPI Timeline Entry


    Project Archive:


    Official Facebook Page for THIS IS HOW I SAY POTATO

  • Hyperallergic Reviews Dennis Oppenheim Homage Exhibition

    Potato Auto-Portrait (2004) at Valentine Gallery May 24, 2014

    “Potato Auto-Portrait (carved in 2004-photo taken November 28, 2012)”
    dried potato
    dim. var. approx. 3 x 2 x 1.25 inches
    ©Jeffrey Allen Price

    My sculpture Potato Auto-Portrait was included in a review of the Dennis Oppenheim homage exhibition published by Hyperallergic.

    The reviewer wrote:

    “There is a third self-portrait in the show, along with Becket’s and Oppenheim’s, by Jeffrey Allen Price. A former assistant to Oppenheim, Price made his comic-Picassoid ‘Potato Auto-Portrait’ (carved in 2004), as the title states, ten years ago, and it has been shrinking ever since; consequently, this piece is also moving, albeit at a glacial pace.”

    One of the stranger qualities of working with potatoes as an artistic medium is that the artwork continues to transform long after it is completed.

    Read the full review here:

    Homage to Absurdity: The Restless Legacy of Dennis Oppenheim— Hyperallergic

  • Reflections on Open Feast: Potato Potluck

    Many thanks to Irina Zadov and Abraham Epton for making Long Island the final stop on their remarkable cross-country Open Feast journey. It was a pleasure to share stories, potatoes, and conversation with such generous travelers and new friends.

    Special thanks as well to Viviane Le Courtois for helping connect our potato worlds and inspiring another communal potato gathering.

    As Irina taught us, the potato is known in Belarus as бульба (bul’ba), a word that seems particularly fitting after an evening spent celebrating food, friendship, and cultural exchange around a shared table.

    Wishing Irina and Abraham safe travels on their next adventures in Belarus and beyond. Grateful that Open Feast inspired another memorable Occupy Potato event and many new connections.

    Peace, love, and potatoes.


    Explore More:


    Open Feast: Potato Potluck (2012)

    Institute Chronicle: Potato Potluck with Open Feast

  • TPI Opens This Weekend

    Very excited to unveil my THINK POTATO INSTITUTE this weekend in Riverhead, NY during the Harvest Festival. On view, 15 years of collecting potato-themed art and artifacts from around the world, with some of my own potato art also on display. Sat. & Sun. 10/9-10/10, 10am-4pm, with a Reception and Artist Talk Sat. 10/16 from 2-4pm. Located at 127 E. Main St. Riverhead, NY.

    New THINK POTATO INSTITUTE logo, 2010.
  • Resident Potato

    Today I am beginning my two-month Artist-in-Residence program at the East End Arts Council in Riverhead, New York.

    Over the next several weeks I will be presenting a number of potato-related projects, including Resident Potato, an exhibition in the Carriage House Gallery; Spuds Unplugged, a performance for the Composers Forum; and an Artist Talk and Reception.

    Most exciting of all, I will be unveiling The THINK POTATO INSTITUTE on Main Street in three weeks. For two days in October, a vacant storefront in downtown Riverhead will be transformed into a temporary headquarters for TPI.

    I am now officially a Resident Potato.

    Please stop in if you are in the neighborhood and say hello.


    ARTIST-IN-RESIDENCE

    Jeffrey Allen Price
    September 17th – November 14th

    “RESIDENT POTATO”

    Carriage House Exhibition (2nd Floor)
    October 14th – November 14th

    ARTIST TALK AND RECEPTION

    October 16th
    5:30–8:00 PM

    THE THINK POTATO INSTITUTE

    Special Installation and Event on Main Street
    October 9th & 10th
    10:00 AM–4:00 PM

    SPUDS UNPLUGGED

    Composers Forum Performance
    November 16th
    7:30 PM


    East End Arts Council, 133 East Main Street, Riverhead, NY 11901


    Related Exhibition:

    THINK POTATO INSTITUTE (Temporary Headquarters) 2010

  • Potato Excuses I & II (2004)

    I am full of excuses. Here’s a couple of good ones in a 51 second video from 2004. “My Plate is Full!,” and “I’ve Bitten Off More Than I Can Chew!”

  • Spuds Unwrapped

    The Food Network, Television Appearance, April 21, 2002

    Tonight I appeared on Food Network’s Unwrapped as part of a special potato-themed episode called Spuds Unwrapped. Seeing myself on national television talking about potatoes and performing was surreal. Host Marc Summers introduced me as a “Potato Artist” and called me “the potato’s number one fan.”

    The segment featured an installation of my potato collection, potato-themed artworks, and documentation from EMERGENCY PÖTATOFÊTE, a performance organized with fellow graduate students at Stony Brook University. The event had originally been scheduled around a planned Food Network visit in September 2001. Following the events of September 11, it was unclear whether the production would continue at all. The title EMERGENCY PÖTATOFÊTE reflected both that uncertainty and my belief that gathering people together through food, humor, and art felt especially important during that difficult moment.

    During the interview I talked about some of the reasons why I originally became interested in the potato, explaining:

    “I started finding all sorts of connections, anthropological connections, all around the world, folklore dealing with the potato. The global significance of the potato became something for me that I could attach to.”

    I also explained one of my favorite concepts:

    “The potato seems to be this unifying symbol of egalitarianism. I don’t know anyone who doesn’t eat potatoes.”

    The segment ended with Marc Summers holding one of the THINK POTATO t-shirts I had given him and saying:

    “Here’s one of Jeffrey’s works of art. Looks pretty cool.”

    Which made me laugh. Hopefully it might even lead to a few more sales of my potato t-shirt designs online.

    The potato continues to drive me and delight audiences. It has introduced me to people I never would have met, conversations I never would have had, and opportunities I never could have predicted. Tonight’s television appearance feels like the latest chapter in an ongoing project that keeps growing in unexpected directions. What began as a curiosity has somehow become a nationwide conversation


    Related Timeline Entry:


    Featured on Food Network’s Spuds Unwrapped (2002)


    Related Exhibitions:


    POTATOLAB (2002)
    EMERGENCY PÖTATOFÊTE (2001)

  • Hainuwele: The Story of a Dema Girl

    October 16, 2001
    The Spot, SUNY Stony Brook, New York

    Last night I performed Hainuwele: The Story of a Dema Girl at The Spot as part of a drag performance event.

    The work was inspired by an Indonesian myth about a mysterious girl named Hainuwele. In the version of the story I encountered, Hainuwele possessed the unusual ability to pull useful objects from her anal cavity. The people around her became jealous of her gifts and eventually murdered her, chopping her body into pieces and burying them in the earth. From those buried remains grew cultivated plants and tubers, transforming Hainuwele into an agricultural ancestor whose death gave rise to food and culture.

    For the performance I wore a dress sewn from burlap and a long blonde wig. Combined with my long beard, the overall effect was something like a cross between Marilyn Monroe and a witch doctor. Hidden beneath the dress was a large cavity constructed from a plastic pumpkin. The pumpkin functioned as a stand-in for Hainuwele’s anal cavity and remained concealed until the performance began.

    As the Pixies song The Sad Punk blasted through the speakers, I lip-synced and moved across the stage while the lights flashed around me. During the performance I painted the word DEMA across my chest in large red letters.

    At key moments I reached into the hidden cavity and removed a series of objects: toy gold coins, cigarettes, candy, and other small gifts that I tossed into the crowd. These objects referenced the gifts Hainuwele produced in the myth. What begins as a strange miracle in the story eventually becomes the source of envy, violence, and transformation.

    Part of what attracted me to the Pixies song was the repeated scream of:

    “EXTINCTION!”

    The refrain echoed throughout the performance like a warning of what was about to happen. The song shifts between pop melody and violent punk energy, creating an atmosphere that felt unstable and increasingly ominous. Several audience members later described the performance as frightening.

    I was interested in the collision of mythology, drag, agriculture, ritual, humor, violence, and transformation. Hainuwele’s story suggests that food is never simply food. It carries memory, sacrifice, desire, jealousy, death, and renewal.

    For me, Hainuwele was an experiment in bringing an ancient agricultural myth into a contemporary performance setting. Whether the audience understood the myth or not, they were witnessing its central drama unfold: gifts emerging from the body, envy taking hold, and the promise that something new might grow from destruction.

    Hainuwele is often known as “The Coconut Girl” because of her miraculous birth from a coconut blossom. However, the myth ultimately explains the origin of cultivated tubers and other staple food crops, which emerge after her dismembered body is buried in the earth.